"A composer of great depth and passion,
not to mention a pristine polished craft."

~ John S. Gray, Wholenote Magazine

"Driving energy, brilliance,
spine-tingling moments, sublime beauty..."

~ Jeffrey Williams, New York Concert Review

"...a thorough mastery of orchestral technique."

~ David Richards, Toronto Concert Review

"...sun-lit, lyrical, human."

~ Lyndis Taylor, Middle C Classical Music Reviews,
New Zealand

"...equal parts magical incantation
and celebration in music."

~ John Terauds, Ludvig Van, Toronto

"...moving and deeply thought provoking...

~ John Gilks, Opera Ramblings

"Congratulations on your recent
nomination for a Juno Award. This recognition
is certainly well deserved."

~ Margaret Atwood

"...warm and accessible, variously textured
... wonderful glissandos that surge
in wave after wave."

~ Showtime Magazine, Toronto

"...captivated the audience entirely."

~ Christine Pilgrim, Vernon Morning Star

"Corlis’ choral writing has the intuitiveness
of one whose life has centred around
singing since childhood."

~ David Richards, Toronto Concert Review

"... I have been aware of Tim Corlis’ deep connection with the texts
and subjects of his writing for many years."

~ Lydia Adams, Conductor and Artistic Director, Elmer Iseler Singers

"A master of shifting colours and textures."

~ John Terauds, The Toronto Star

"...fluent and expressive,
with marvelous use of the cello"

~ Michael Johnson, Concerto.net
Classical Music Network

"...one of the best pieces created
as a conscious contribution to Truth and Reconciliation
that I have experienced."

~ John Gilks, Opera Ramblings

"thanks to the creative genius of Armand Ruffo and Timothy Corlis,
generations to come will hear the story of Francis Pegahmagabow."

~ James Campbell, Artistic Director, Festival of the Sound

"The audience reaction was
instantaneous. Leaping to their feet."

~ Steven Preece, Kitchener-Waterloo Record